Theatre

Absolutely all the above mentioned qualities are recognised, in smaller or bigger proportions, in “Fata de mătase artificială” (“The Artificial Silk Girl”) by Irmgard Keun, his staging from the Comedy Theatre. They all constitute inevitably, guarantees of an agreeable show. Another one would be the translation, always pertinent from a stage’s point of view, signed by Victor Scoradeț.

Award of the Bremen theatre and of the composer Ludger Vollmer

This Journal regarding the programming of the Romanian National Theatre Festival and published by Art Act Magazine will keep you informed about the programmer’s theatrical adventures – and not only, because it will also keep track of the city/theatre/and way of traveling (the last being an implicit comment on the country we are talking about) – besides, of course, the productions I will write about. I hope the Programmer’s Journal will keep alive everybody’s interest in Romanian theatre and its most important event: Romanian National Theatre Festival (www.fnt.ro).

Being a freshman in Theatre science, I read in the first semester about the No Theatre and I made sheet cards abundantly. How much it fascinated me and how much I wanted to see at least once the No Theatre live! The dream was to accomplish after twelve years. Better later than never.

The Vienna Theatre is a traditional theatre from Austria’s capital. “The New House of the Opera”, this is how it has been called since its re-opening in 2006, and with good reason.

The well-known Chekhovian came to life on the stage of the National Theatre from Bucharest, Saturday, February the 21^st, thanks to the well-known director Alexandru Dabija and to some talented actors, one more talented than the other...

This Journal regarding the programming of the Romanian National Theatre Festival and published by Art Act Magazine will keep you informed about the programmer’s theatrical adventures – and not only, because it will also keep track of the city/theatre/and way of traveling (the last being an implicit comment on the country we are talking about) – besides, of course, the productions I will write about. I hope the Programmer’s Journal will keep alive everybody’s interest in Romanian theatre and its most important event: Romanian National Theatre Festival (www.fnt.ro).

“In Romania one of three women a victim of domestic violence... In some Muslim countries the Talibans forbid women’s access to education”...

This Journal regarding the programming of the Romanian National Theatre Festival and published by Art Act Magazine will keep you informed about the programmer’s theatrical adventures – and not only, because it will also keep track of the city/theatre/and way of traveling (the last being an implicit comment on the country we are talking about) – besides, of course, the productions I will write about.

The involved show, of prevention and intervention in the social infrastructure, constitutes a fundamental model of representation and reception of contemporary theatricality.