ART. III (1) To carry out its duties provided by law, to establish the number of in the mayor’s specialist structure, the specialist structure of the county council, as well as in the local public institutions set up by decisions of the decision-making authorities, local administration authorities to observe the maximum number of positions.
One of the reasons one might like to spend a weekend in Cluj is theatre: the “market” is divided between the Hungarian State Theatre and The National Theatre “Lucian Blaga”, and the two directors involved in their management - Tompa Gabor and Mihai Maniuþiu - are on the short list of the best Romanian creators of theatre, among the few also known abroad.
In their immense thirst for culture, the authorities found another method to fault the artists: Emergency Ordinance 63, published in the Official Gazette on July 2, 2010. This new law says, rightfully in theory, that local public administrations must reduce the number of employees. That is, that they need to reduce the number comrade minded ladies at the counters who have turned bureaucracy of the clerks into art.
As we are have accustomed, The Theatre “M .Eminescu” in Timisoara, offered another magnificent evening with a performance freshly released from under the directorial baguette. Although everyone’s thinking about leisure, holidays, the sea and the beach, the company in Timisoara, in mid-summer scorch, on July 18, 2010, has to pass another examination in front of an audience coming from different parts of the country for a taste of true art in the capital...
Alexandru Dabija’s performance, “The Visit to he Father” has a unique stylistic, materialised by scenographer Helmut Stürmer into a large room of an old house, in the generous space of the former Gym in the Timisoara Civic Park. Peter, the son (Colin Buzoianu) returns in mid winter in the house his father, Helmut (Damian Oancea)...
In a group of theatre people of all ages, which it so happened to include a film critic known worldwide before 1989, they discussed a lot about the “coincidence” of staging several performances inspired by films in our last season – “Breaking the Waves” by Lars von Trier in Sibiu (directed by Radu Alexandru Nica), “Festen” with the Nottara Theatre (directed by Vlad Massaci), Bergman's “Cries and Whispers” with the Hungarian Theatre in Cluj (directed by Andrei Serban).
He was born in 1935 at Hirosaki city in the nothern part of Japan.They recognized he was so talented in poetry already in his teens and published a lot of Haiku and Tanka(Japanese traditional short poems) on the local letterary magazines.At he age of 18, he went up to Tokyo to enter Waseda university.
I insisted on checking whether the performance I recommended to some friends as a must see, one of Bucharest's best, still meets and after eight - nine years from the premiere the same qualities. And, well, yes, the black, acid charm of Werner Schwab’s First Ladies, directed by Sorin Militaru, at the Odeon Theatre, remained intact after so much time.
Innovation, seeking, desire to be original and the first to discover hot water is part of the DNA of any artist. Still, sometimes this desire of shocking at any cost leads to awkward, pathetic, or at the best, hilarious results. This is also the case of the performance “Three Sisters”, staged by director Gelu Badea with the North Theatre in Satu Mare.
Only two American playwrights have truly entered the Romanian stage in the past 10 years – Neil LaBute that has almost every play staged here (too bad he doesn’t want to come to Romania, even though he was invited to come a couple of times) and David Mamet with not so many plays translated yet.
